Fictional Directive

How I might Write

3/16/2025

There are three ways I think of for starting a story. You can focus on the plot; what is the world in which the characters reside? Creating a new world is what thrills me, personally. Using the parallels of myths and heroic stories we see today and exaggerating even the most extraordinary parts of our reality.

There is character driven stories. Having a set of morals or desires within a character that you form the world of events around. What does the character want? How are they going to achieve that goal? What stands in their way? And what are they willing to do to achieve the goal?

I think the third way is to think of an emotion to drive your story. Do you want or align with a romantic, or epic, or mystery, etc? Taking that emotion and having your story weave and/or end at the height of the emotion. Pulling the reading deep into that passion, causing their heart to ache with fear, sorrow, bravery or camaraderie.

I love bringing the heart into the mix of the deep emotions. I base my writing from the deep emotions, seeking to make the heart fly or ache with connection in serious moments and events. Some of these blossom from a unique idea found from creative imagery within songs, poems or other exaggerated stories. Using metaphors and similes, connecting concepts and objects that don’t usually have association. So how might I start? Where does my beginning image, inspiration, or concept come from?

Authors will tell you it comes from anywhere, and it does. As you write and read and view the world in a writer’s way, things will come to you often. One example as we are in the Christmas season is the song Hallelujah. With how much we know of song writing and music composing the song still brings the potential mystery of “a secret cord that David played that pleased the Lord.” You could base a story from that simple idea, a character striving to find that secret cord. Perhaps it was written in Hebrew and lost in the land of Jerusalem where King David ruled. Even further than that you could even have a character that “doesn’t really care for music…” This could be an idea for a unique story and comes from a simple song that has been around for 40+ years and a song I have heard throughout my life. But inspiration strikes along with perspective, and so they both change with each other.

More ways to find story ideas is to listen, watch, and experience life while reading others. You may see how other authors see the world if you are attuned to see what is beyond what you read, but also if the author is open and transparent enough. Listen to what people say, how they say it and look beyond the words and find the hidden meaning. Let the experiences you are privileged to be a part of enriching your perspectives of the world and life.

Then exaggerate what you see. Like Polar Express having a train on the ice; turning an entire train around by drifting. Or Inception, planting an idea through a dream within a dream. This is why poetry can be extremely influential; with their colourful language, picturesque images, and creative allegories. These, if you get used to the language and style can inspire winsome and majestic new worlds.

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The Myth of God

3/16/2025

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The Father of All enthroned above the cosmos, the Son to his right and the Spirit hovering over the depth. All watching and mingling with his prized possession; the pinnacle of his creation, those who bear his image, humanity. Desiring to commune with his people – the people he breathed his very life into – he longed for them to pursue the same. He went down to see how they were taking dominion over and ruling the rest of his creation.

To his dismay, humanity had become so easily corrupted and sought to devour instead of ruling like their Creator. As soon as they sought a different purpose the Father became broken hearted and very angry with the things humanity began to do. They became very creative in the evil they performed. The Father had to put an end to it, for it was not the way he created things to be. He looked to his Son and nodded. The Son of God stood up from his throne and began a journey towards Earth, the Father relented his wrath as he watched the perfect Son walk towards the earth putting himself between the Father and the evil of humanity, overlaying humanity’s evil with his perfection shining over their darkness.

The Father’s handiworks were all around the humans, yet they over looked them; explained them in other ways. He wished for them to enjoy the fruits, care for the animals and work the ground to produce more vegetation. He saw them building structures, making tools and enjoying the warmth of the sun together. Instead they built for themselves, attempting to replace his name, they murdered each other, mistreated the animals, and stored up fruit for themselves without sharing when others had nothing. God would not stand for such atrocities.

But thankfully God had a plan for such a blasphemy, something the humans could not ignore and that would satisfy the justices that have not been answered. There is no one that is righteous, not even one. Every human has done evil the entirety of their lives. Selfish ambition, sexual impurity, devious manipulation, and harmful action they fill their time with.

But even with the God himself communing with his creation, humanity refused to recognize their maker. The Son went down, not to deliver God’s wrath – to punish the atrocities and the blatant rebellions – he came to serve; not to show off his majestic powers as creator, but instead to serve those who were given little, to teach those who were not wise, and forgive those who had no law, however, those who claimed to be with God sought to kill the Son; they thought they knew God so well that when the Son said the actual things of the Father, they thought it was blasphemy.

The Son stood in front of his creation as they accused him. He sat in the courts as the officials questioned him, he kept silent and with a smirk for he kept himself to him who judged righteously. In the end the Son was accused for treason and blasphemy and was subject to death. As he approached, the Son dread what he was going to endure. Not the mocking, the whipping, the beatings, not even the death, but what he was going to endure over all of that, was the Father’s wrath he stepped in front of. It was no longer going to be held back, it had to be satisfied for the eons of injustices and the Son’s service ultimately came to fulfillment when he would take all the judgement for humanities betrayal.

The Father releases his wrath and turned his back on his Son, for holding all the immorality of humanity upon him. And so the Son faced death and the complete wrath of the Father for the sake of his creation.

The grave and death surrounded the Son and enveloped him in their depths. Their power unmatched, their grasps overreaching, no human could even dream of defeating them. Yet the Son was not mere human, but was God. The Son was raised, showing not even death could hold him and neither could it hold those who loved the Son, for his gift was becoming one with him. Now that he was raised, they saw the sign that no one could ignore. The Son was now the firstborn of the new creation and he did it all so that his creation could follow him back to the creation of harmony and peace. Where the mind was opened and freed, the body was remade and complete, the spirit was whole and lifted up.

The Father’s wrath satisfied, justice accounted for, and his love for his creation exploited.

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A Christian Response to 2024 Olympics

3/16/2025

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This is an address to Christians, and an apology to those with other beliefs and worldviews for the representation Christian’s had through the Olympics 2024.

Representation is a powerful thing. It is when one thing symbolizes another, sometimes with a specific angle of meaning. The opening ceremonies of the Olympics always has representations of what the games mean. In Paris 2024, they had many powerful representations of Paris and their history of conflict, struggle, and unity with 12 tableaus that had meaning to the nation and the world.

Every nation has their story and their stories make up stereotypes, Thomas Jolly, as the artistic director of the ceremonies, said “we’re going to play with all those cliches, but we’re also going to challenge them” (Nouvain, 2024). He wanted to show the world what France is really like. Sure we have our stereotypes and they can be correct representations in some way, but they are usually not the full picture. So Jolly sought to use and challenge them.

In the eighth tableau, Jolly shows the significant festivities France enjoys. France is known for wine and fashion and Jolly had a fashion show display this with a blue man on a silver platter with grapes representing the greek god Dionysus, the god of wine and pleasure appear at the end. “Why is he there?” Goodfellow quotes Jolly. “First and foremost because he is the god of celebration in Greek mythology and the tableau is called ‘Festival.’”

Loic Padovani writes, “…he [Jolly] reinterprets the areas in which the county shines around the world to shape it in his own way.” He is looking at France and what they are known for, using the cliches the world knows and what the Olympics are. The Olympics originated in Greece and Jolly is “‘keen on the Greeks,’ and Jolly said he would include reference to Ancient Greek mythology in the Ceremony” (Izzy, 2024).

A specific word that catches my eye in these quotes is when Padovani says “reinterprets.” Christians talk about interpretation all the time as we hold the ancient Bible as the Word of God. You could find many interpretations on one passage among Christians. Each one having arguments for each interpretation (I am not talking about contradictions). But we have become accustom to interpreting passages how we want and feel while reading it. We forget to do more research, maybe because that takes time and effort we don’t have when it isn’t our job. An example of research is to look into the author’s intent. That is, what is the author trying to get across when they wrote to the specific people within their context. My point is that when Christian’s watched the opening ceremonies they interpreted the runway fashion show as the “last supper” painting by Leonardo DaVinci.

The reason they come to this interpretation is because they saw a line of people standing on either side of a central person with what looked like a table, which ended up being a display for Dionysus. But as the event continued to unfold, you saw more people on the other side of the table. Then more, the table was actually a runway for the fashion show and the one person standing in the centre was the DJ, Barbara Butch, for the show. She represented Apollo, “In a now-inaccessible Instagram story, Butch said she was the Greek God of the Sun, Apollo, and references Jan van Bijlert’s painting “the feast of the God” (Izzy, 2024).

Another example was in the ninth Tableau when a rider and his metal horse gallops across the Seine. Later he comes in on land riding a real white horse. Some Christians looked at this and saw the pale horse with the rider named death from Revelation 6. I found this interpretation quite ridiculous because the announcers of the opening ceremonies explicitly told the viewers that the horse represented peace and the idea of the whole ceremonies was “to create a ceremony that heals and a ceremony that reconciles, but also … that reaffirms the values which are those of our Republic of Liberty, Equality, Fraternity, and absolutely not to mock anyone.” With the war going on and other controversial fights around the world, Jolly wanted to make peace using the Olympics. People from around the world come and watch these games and he used it for the purpose of attempting reconciliation and peace.

These are the representation they wanted from the performance in the open ceremonies and we do not get the right to reinterpret it just because we see something else. As humans, we are influenced by what we read, hear, believe and think about. So when two people look at the same thing their minds can interpret from their library within their brains. What our responsibility is, however, is to insure we know the meaning of the author, then we can engage properly and accurately.

Furthermore, as Christians, we know the rest of the world (as any relationship of any religion to the rest of the world) believes and values different things. To be offended when the rest of the world does something that does not line up with the way we believe and think, is absurd. Especially when the intent was not what we interpreted.

To the Christian, we have different views within this world and look towards the upwards call of God the Father in Jesus Christ (Phil 3:14). We have citizenship in heaven (Phil 3:20) as we live on earth and need not ultimately worry about what goes on of those who value the earthly worldviews. We are to be a beacon of how life looks under God, not expecting the world to live under God as we ought. engaging them with challenging love and comforting grace.

Do you not know that you died with Christ? and when he rose, you rose with him?(Rom 6:8-10) and rising with him we are gifted with the Advocate (Acts 1:8). And what is the reason this all began? That Christ had joy before him even as he endured the cross (Her 12:2). Loving humanity, even as we disobeyed him. Unified with God are we not to do the same?! Of course, stemming from his glorious grace, submit yourself to his will and love those Christ came and died for.

And I remind you of what Christ did while he was accused and persecuted? He stayed silent (Is 53:7) and continued his mission for it was his Father’s will he was accomplishing (Matt 26:42). If you are offended by their performance then having confidence in your mind, do not attend or watch but do so quietly, ensuring you have no quarrel with the world (1 Thes 4:11-12 + Rom 12:18).

To the non-believer, it is our standard to show you the love of Christ through the way we live and we will (or should) always have an answer for the hope that lives in us (1 Pt 3:15). Unfortunately we have become too proud in OUR own interpretations and I apologize on behalf of the response of my brothers and sisters. Fortunately this is what our religion and relationship with Jesus Christ is built on, we are sinners and saved from our offences by Christ’s actions and from that we ought to be working towards Christ-likeness.

Nouvain, Tom. How Olympics Opening Ceremony Artistic Director Thomas Jolly is Capturing the Essence of France. Associated Press. https://www.conchovalleyhomepage.com/news/how-olympics-opening-ceremony-artistic-director-thomas-jolly-is-capturing-the-essence-of-france/amp/
Izzy, Jack. Olympic Opening Ceremony Featured daVinci’s ‘Last Supper’?2024. https://www.snopes.com/news/2024/07/30/olympics-last-supper/
Padovani, Loic. Opening Ceremony of the Paris 2024 Olympics. 2024. https://olympics.com/en/news/opening-ceremony-paris-2024-olympics-glory-thomas-joly-artistic-director-event
Goodfellow, Melanie. Olympics Opening Ceremony Artistic SagaControversial Tableau Was Not Inspired By ‘Last Supper’ – Updat e. 2024. Deadline. https://deadline.com/2024/07/olympics-opening-ceremony-artistic-director-intention-mock-or-shock-1236024601/

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